Archive for the ‘Chuck Palahniuk’ Category

Diary by Chuck Palahniuk (Audio Book)

October 5, 2008

From Publishers Weekly
With a first page that captures the reader hook, line and sinker, Palahniuk (Choke; Lullaby) plunges into the odd predicament of Waytansea Island resident and ex-art student Misty Marie Kleinman, whose husband, Peter, lies comatose in a hospital bed after a suicide attempt. Rooms in summer houses on the mainland that Peter has remodeled start to mysteriously disappear-“The man calling from Long Beach, he says his bathroom is missing”-and Misty, with the help of graphologist Angel Delaporte, discovers that crude and prophetic messages are scrawled across the walls and furniture of the blocked-off chambers. In her new world, where every day is “another longest day of the year,” Misty suffers from mysterious physical ailments, which only go away while she is drawing or painting. Her doctor, 12-year-old daughter and mother-in-law, instead of worrying about her health, press her to paint more and more, hinting that her art will save exclusive Waytansea Island from being overrun by tourists. In the meantime, Misty is finding secret messages written under tables and in library books from past island artists issuing bold but vague warnings. With new and changing versions of reality at every turn, the theme of the “tortured artist” is taken to a new level and “everything is important. Every detail. We just don’t know why, yet.” The novel is something of a departure for Palahniuk, who eschews his blighted urban settings for a sinister resort island, but his catchy, jarring prose, cryptic pronouncements and baroque flights of imagination are instantly recognizable, and his sharp, bizarre meditations on the artistic process make this twisted tale one of his most memorable works to date.

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Invisible Monsters by Chuck Palahniuk (Audio Book)

October 5, 2008

From Publishers Weekly
Palahniuk’s grotesque romp aims to skewer the ruthless superficiality of the fashion world and winds up with a tale as savagely glib as what it derides. Narrator Shannon McFarland, once a gorgeous fashion model, has been hideously disfigured in a mysterious drive-by shooting. Her jaw has been shot off, leaving her not only bereft of a career and boyfriend, but suddenly invisible to the world. Along comes no-nonsense, pill-popping diva Brandy Alexander, a resplendent, sassy, transgendered chick, who has modeled her body rearrangement–the breast implants, the hair, the figure–on what Shannon used to look like. Brandy suggests veils, high camp and no self-pity. Shannon wants revenge[…] Adding to the plot’s contrivances are the relentless flashbacks, heralded at the beginning of almost every paragraph with “Jump back to…” and the author’s pretentious device of using a fashion photographer’s commands (“Flash. Give me adoration. Flash. Give me a break”) to signpost the narrator’s epiphanies. Palahniuk writes like he’s overdosed on Details magazine. Though the absurd surprise ending may incite groans of disbelief, this book does have fun moments when campy banter tops the heroine’s flat, whiny bathos.

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Survivor by Chuck Palahniuk (Audio Book)

October 5, 2008

Amazon.com Review
Some say that the apocalypse swiftly approacheth, but that simply ain’t so according to Chuck Palahniuk. Oh no. It’s already here, living in the head of the guy who just crossed the street in front of you, or maybe even closer than that. We saw these possibilities get played out in the author’s bloodsporting-anarchist-yuppie shocker of a first novel, Fight Club. Now, in Survivor, his second and newest, the concern is more for the origin of the malaise. Starting at chapter 47 and screaming toward ground zero, Palahniuk hurls the reader back to the beginning in a breathless search for where it all went wrong. This time out, the author’s protagonist is self-made, self-ruined mogul-messiah Tender Branson, the sole passenger of a jet moments away from slamming first into the Australian outback and then into oblivion. All that will be left, Branson assures us with a tone bordering on relief, is his life story, from its Amish-on-acid cult beginnings to its televangelist-huckster end. All of this courtesy of the plane’s flight recorder. Speaking of little black boxes, Skinnerians would have a field day with the presenting behavior of the folks who make up Palahniuk’s world. They pretend they’re suicide hotline operators for fun. They eat lobster before it’s quite… done. They dance in morgues. The Cleavers they are not. Scary as they might be, these characters are ultimately more scared of themselves than you are, and that’s what makes them so fascinating. In the wee hours and on lonely highways, they exist in a perpetual twilight, caught between the horror of the present and the dread of the unknown. With only two novels under his belt, Chuck Palahniuk is well on his way to becoming an expert at shining a light on these shadowy creatures.

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Lullaby by Chuck Palahniuk (Audio Book)

October 1, 2008

From the author of the New York Times bestseller Choke and the cult classic Fight Club, a cunningly plotted novel about the ultimate verbal weapon, one that reinvents the apocalyptic thriller for our times.

Despite the soothing title, readers know better than to anticipate a kinder, gentler novel from the author of Fight Club. On its surface, Lullaby is a fable of supernatural horror, one that concerns a newspaper reporter researching sudden infant death syndrome who discovers a fatal poem in a children’s anthology, a verse that kills the listener whenever someone recites (or even thinks) its lines. While trying to destroy every copy of the anthology, he succumbs to the temptation to inflict the poem’s evil power on those who annoy him (which, in Palahniuk’s universe, means plenty of casualties). Such a plot outline barely hints at the range of the author’s thematic obsessions, which here include consumerism, necrophilia, radical environmentalism, class-action suits, identity and free will, sensory overload (“Imagine a plague you catch through your ears”) and the never-ending horrors of real estate. Characteristic for Palahniuk, the novel’s setup is more subversively engaging than the follow-through, though his writing remains so deliriously rich in ideas and entertaining in its stream-of-conscious riffing that conventions of character, plot and plausibility seem like comparatively empty anachronisms.

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Snuff by Chuck Palahniuk (Audio Book)

October 1, 2008

From Publishers Weekly
Palahniuk’s audacious ninth novel tells the story of Cassie Wright, an aging porn queen who intends to put an exclamation point on her career by having sex with 600 men in one day on film. The story begins with Mr. 600—the pornosaur who introduced Cassie to the business—as he describes the other 599 actors awaiting their moment on screen. The perspective then shifts to Mr. 72, an adopted Midwestern 20-something who is one of the many young men claiming to be Cassie’s long-lost son. Mr. 137, a has-been television star hoping to revive his career, wants to ask Cassie’s hand in marriage so that the two can star in a reality TV show. But for a novel centered around a gargantuan gangbang, there’s surprisingly little action; the small amount of narrative movement takes place backstage, where the characters attempt to get a sense of one another while waiting for their number to be called. There are sharp moments when Palahniuk compassionately and candidly examines the flesh-on-film industry, but mostly this reads like a cross between the Spice Channel and Days of Our Lives.

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