Welcome to LiquidProse

September 30, 2008

This is a blog for Audio books and E-books.The links that I post are not links that I have uploaded, but have found other places on the web.Although I do try and check every link I cannot guarantee that every link is in fact a working Audio Book or E-Book.If there are problems with links please let me know and I will remove them.If you have suggestions for titles or subjects please let me know as well and I will try to post them.I am trying to have a one stop shop for quality Audio Books and E-Books…keep reading…keep listening.

A Special thanks to ALL the individuals who originally uploaded the files.

If there are PASSWORDS I list them below the download links.

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Batman: Knightfall (BBC Audio)

October 5, 2008

On CD for the first time, this fantastic full-cast radio adventure comes from esteemed producer Dirk Maggs, director of Superman: Doomsday and Beyond and the recent radio episodes of The Hitchhiker’s Guide to the Galaxy.

Batman has been crippled by his fiercest foe ever, Bane: a villain of superhuman strength, cunning and evil. With Bruce Wayne confined to a wheelchair, who will protect the innocent from the dangerous inmates of Arkham Asylum, whom Bane has released?

This stunning audio production was first aired on BBC Radio 1. The cliffhanging, all-action adventure can now be heard uninterrupted – dazzling sound effects, specially composed orchestral music and all. You’ve never heard a comic sound like this!
With Bruce Wayne confined to a wheelchair, who will protect the innocent people of Gotham?

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from RapidByte

Minority Report and Other Stories by Philip K. Dick (Audio Book)

October 5, 2008

Synopses From Harper:
Viewed by many as the greatest science fiction writer on any planet, Philip K. Dick has written some of the most intriguing, original, and thought-provoking fiction of our time. This collection includes stories that will make you laugh, cringe…and stop and think. In “The Minority Report,” a special unit that employs those with the power of precognition to prevent crimes proves itself less than reliable. This story was the basis of the feature film Minority Report.

In, “We Can Remember It For You Wholesale,” an everyguy’s yearning for more exciting “memories” places him in a danger he never could have imagined. This story was the basis of the feature film Total Recall.

In “Paycheck,” a mechanic who has no memory of the previous two years of his life finds that a bag of seemingly worthless and unrelated objects can actually unlock the secret of his recent past, and insure that he has a future. This story was the basis of the feature film Paycheck.

In “Second Variety,” the UN’s technological advances to win a global war veer out of control, threatening to destroy all of humankind. This story was the basis of the feature film Screamers. And “The Eyes Have It” is a whimsical, laugh-out-loud play on the words of the title.

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from RapidByte

Cat’s Cradle by Kurt Vonnegut (Audio Book)

October 5, 2008

From Publisher’s Weekly
Vonnegut’s 1963 satirical science fiction novel still manages to pack a powerfully subversive punch. The new audio release offers listeners an excellent opportunity to connect—or reconnect—with a classic text whose thematic elements—nuclear terror, the complications of science, American imperialism, global capitalism and the role of religion in public life—are remarkably relevant to our 21st-century landscape. The story line centers on a young writer’s quest to research the history of the atomic bomb, which leads to a bizarre political soap opera and apocalyptic showdown on the shores of a seedy banana republic in the Caribbean. Tony Roberts brings tremendous energy to his reading, projecting a sardonic tone perfectly suited to Vonnegut. His portrayals of the principal male figures sometimes take the form of interchangeable over-the-top carnival barkers, but given the essence of the material, such a unnuanced approach can be understood and appreciated. The audiobook includes a 2005 interview in which Vonnegut—who died April 11, 2007—discusses how his life shaped his literary craft.

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from RapidByte

A Scanner Darkly by Philip K. Dick (Audio Book)

October 5, 2008

Amazon.com Review
Mind- and reality-bending drugs factor again and again in Philip K. Dick’s hugely influential SF stories. A Scanner Darkly cuts closest to the bone, drawing on Dick’s own experience with illicit chemicals and on his many friends who died from drug abuse. Nevertheless, it’s blackly farcical, full of comic-surreal conversations between people whose synapses are partly fried, sudden flights of paranoid logic, and bad trips like the one whose victim spends a subjective eternity having all his sins read to him, in shifts, by compound-eyed aliens. (It takes 11,000 years of this to reach the time when as a boy he discovered masturbation.) The antihero Bob Arctor is forced by his double life into warring double personalities: as futuristic narcotics agent “Fred,” face blurred by a high-tech scrambler, he must spy on and entrap suspected drug dealer Bob Arctor. His disintegration under the influence of the insidious Substance D is genuine tragicomedy. For Arctor there’s no way off the addict’s downward escalator, but what awaits at the bottom is a kind of redemption–there are more wheels within wheels than we suspected, and his life is not entirely wasted.

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In Cold Blood by Truman Capote (Audio Book)

October 5, 2008

From AudioFile
If the Oscar-winning film CAPOTE has brought this story’s outline to a new audience, Scott Brick’s outstanding narration should introduce a generation of listeners to the complete story. Capote’s 1965 “nonfiction novel,” built around the senseless murder of a Kansas family, is a marvelous blend of rigorous reporting and poetic license. His portrait of the two killers is sympathetic–the act was monstrous, but the men were not monsters–and the soft edges of Brick’s voice convey this perfectly. Though the recording is more than 14 hours, Brick is just so easy to listen to. It’s not so much what he does, but what he doesn’t do: he attempts no Kansas accents, no melodramatic phrasing. He steps back and lets the story breathe, and in doing so, leaves the listener breathless.

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Diary by Chuck Palahniuk (Audio Book)

October 5, 2008

From Publishers Weekly
With a first page that captures the reader hook, line and sinker, Palahniuk (Choke; Lullaby) plunges into the odd predicament of Waytansea Island resident and ex-art student Misty Marie Kleinman, whose husband, Peter, lies comatose in a hospital bed after a suicide attempt. Rooms in summer houses on the mainland that Peter has remodeled start to mysteriously disappear-“The man calling from Long Beach, he says his bathroom is missing”-and Misty, with the help of graphologist Angel Delaporte, discovers that crude and prophetic messages are scrawled across the walls and furniture of the blocked-off chambers. In her new world, where every day is “another longest day of the year,” Misty suffers from mysterious physical ailments, which only go away while she is drawing or painting. Her doctor, 12-year-old daughter and mother-in-law, instead of worrying about her health, press her to paint more and more, hinting that her art will save exclusive Waytansea Island from being overrun by tourists. In the meantime, Misty is finding secret messages written under tables and in library books from past island artists issuing bold but vague warnings. With new and changing versions of reality at every turn, the theme of the “tortured artist” is taken to a new level and “everything is important. Every detail. We just don’t know why, yet.” The novel is something of a departure for Palahniuk, who eschews his blighted urban settings for a sinister resort island, but his catchy, jarring prose, cryptic pronouncements and baroque flights of imagination are instantly recognizable, and his sharp, bizarre meditations on the artistic process make this twisted tale one of his most memorable works to date.

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from RapidByte

Invisible Monsters by Chuck Palahniuk (Audio Book)

October 5, 2008

From Publishers Weekly
Palahniuk’s grotesque romp aims to skewer the ruthless superficiality of the fashion world and winds up with a tale as savagely glib as what it derides. Narrator Shannon McFarland, once a gorgeous fashion model, has been hideously disfigured in a mysterious drive-by shooting. Her jaw has been shot off, leaving her not only bereft of a career and boyfriend, but suddenly invisible to the world. Along comes no-nonsense, pill-popping diva Brandy Alexander, a resplendent, sassy, transgendered chick, who has modeled her body rearrangement–the breast implants, the hair, the figure–on what Shannon used to look like. Brandy suggests veils, high camp and no self-pity. Shannon wants revenge[…] Adding to the plot’s contrivances are the relentless flashbacks, heralded at the beginning of almost every paragraph with “Jump back to…” and the author’s pretentious device of using a fashion photographer’s commands (“Flash. Give me adoration. Flash. Give me a break”) to signpost the narrator’s epiphanies. Palahniuk writes like he’s overdosed on Details magazine. Though the absurd surprise ending may incite groans of disbelief, this book does have fun moments when campy banter tops the heroine’s flat, whiny bathos.

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Anansi Boys by Neil Gaiman (Audio Book)

October 5, 2008

From Publishers Weekly
If readers found the Sandman series creator’s last novel, American Gods, hard to classify, they will be equally nonplussed—and equally entertained—by this brilliant mingling of the mundane and the fantastic. “Fat Charlie” Nancy leads a life of comfortable workaholism in London, with a stressful agenting job he doesn’t much like, and a pleasant fiancée, Rosie. When Charlie learns of the death of his estranged father in Florida, he attends the funeral and learns two facts that turn his well-ordered existence upside-down: that his father was a human form of Anansi, the African trickster god, and that he has a brother, Spider, who has inherited some of their father’s godlike abilities. Spider comes to visit Charlie and gets him fired from his job, steals his fiancée, and is instrumental in having him arrested for embezzlement and suspected of murder. When Charlie resorts to magic to get rid of Spider, who’s selfish and unthinking rather than evil, things begin to go very badly for just about everyone. Other characters—including Charlie’s malevolent boss, Grahame Coats (“an albino ferret in an expensive suit”), witches, police and some of the folk from American Gods—are expertly woven into Gaiman’s rich myth, which plays off the African folk tales in which Anansi stars. But it’s Gaiman’s focus on Charlie and Charlie’s attempts to return to normalcy that make the story so winning—along with gleeful, hurtling prose.

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from RapidByte

American Gods by Neil Gaiman (Audio Book)

October 5, 2008

Amazon.com Review
American Gods is Neil Gaiman’s best and most ambitious novel yet, a scary, strange, and hallucinogenic road-trip story wrapped around a deep examination of the American spirit. Gaiman tackles everything from the onslaught of the information age to the meaning of death, but he doesn’t sacrifice the razor-sharp plotting and narrative style he’s been delivering since his Sandman days.

Shadow gets out of prison early when his wife is killed in a car crash. At a loss, he takes up with a mysterious character called Wednesday, who is much more than he appears. In fact, Wednesday is an old god, once known as Odin the All-father, who is roaming America rounding up his forgotten fellows in preparation for an epic battle against the upstart deities of the Internet, credit cards, television, and all that is wired. Shadow agrees to help Wednesday, and they whirl through a psycho-spiritual storm that becomes all too real in its manifestations. For instance, Shadow’s dead wife Laura keeps showing up, and not just as a ghost–the difficulty of their continuing relationship is by turns grim and darkly funny, just like the rest of the book.

Armed only with some coin tricks and a sense of purpose, Shadow travels through, around, and underneath the visible surface of things, digging up all the powerful myths Americans brought with them in their journeys to this land as well as the ones that were already here. Shadow’s road story is the heart of the novel, and it’s here that Gaiman offers up the details that make this such a cinematic book–the distinctly American foods and diversions, the bizarre roadside attractions, the decrepit gods reduced to shell games and prostitution. “This is a bad land for Gods,” says Shadow.

More than a tourist in America, but not a native, Neil Gaiman offers an outside-in and inside-out perspective on the soul and spirituality of the country–our obsessions with money and power, our jumbled religious heritage and its societal outcomes, and the millennial decisions we face about what’s real and what’s not.

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The Moon Is a Harsh Mistress by Robert A. Heinlein (Audio Book)

October 5, 2008

Synopsis
Robert A. Heinlein was the most influential science fiction writer of his era, an influence so large that, as Samuel R. Delany notes, “modern critics attempting to wrestle with that influence find themselves dealing with an object rather like the sky or an ocean.” He won the Hugo Award for best novel four times, a record that still stands. The Moon is a Harsh Mistress was the last of these Hugo-winning novels, and it is widely considered his finest work.

It is a tale of revolution, of the rebellion of the former Lunar penal colony against the Lunar Authority that controls it from Earth. It is the tale of the disparate people–a computer technician, a vigorous young female agitator, and an elderly academic–who become the rebel movement’s leaders. And it is the story of Mike, the supercomputer whose sentience is known only to this inner circle, and who for reasons of his own is committed to the revolution’s ultimate success.

The Moon is a Harsh Mistress is one of the high points of modern science fiction, a novel bursting with politics, humanity, passion, innovative technical speculation, and a firm belief in the pursuit of human freedom.

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